Image credit: Royville Media
Fantasizing about a noise that could bludgeon an audience into submission, William Bennett from the band Whitehouse coined the term ‘power-electronics’ in the early 80s. The genre draws on static, screeching waves of feedback, analog synthesizers, warping sub-bass pulses and the high-frequency clamor of screamed vocals. Mostly harnessed through deep meditative improvisation, you could compare the process to spilling ink to see where it lands or furthermore setting the easel itself on fire.
Berlin Through The Eyes Of Nigel Perera: The People I Met Have Made A Huge Impact On My Views About Music & Life
“Music has always been my way of connecting with people. I often feel the most comfortable getting to know someone just by playing, listening to or making music with them. My first exposure to music as a child came from my parents. My school friends and I listened to Sinhalese pop music. Even though the local pop scene is a far cry from what I’m into now, I often revisit those tracks. I feel they have a certain quality which draws me to them even now. Not the songs as such rather certain details or moods that resonate with me, all these years later. I’ve gone through a lot of phases throughout my life — always trying to learn new things — but music is the only thing that has really stuck with me,” says Nigel Perera, a Colombo-based producer, DJ and visual artist whose influences draw from a broad range of funk, jazz, hip-hop and varied sub genres of electronic music.
This Friday will see the Border Movement Lounge host it’s ninth edition in Colombo in the Goethe-Institit’s cosy courtyard.
Many years ago, Nigel Perera used to be a mobile DJ in Negombo, Sri Lanka. He’d play events such as weddings or birthday parties. “I used to listen to the golden pop hits from the 80s back in the day; the stuff on the radio,” he says. He played at a pub in Negombo where he’d DJ commercial music, old classic rock, the works. He would push himself to find that balance between what kind of music worked for the audiences there and what gave him satisfaction. …
“I think it all depends on what you want to express through your art,” says Berlin-based French DJ and producer David Monnin as he explains why the identity of a being has both creative and an anti-creative influence in the process of making art. “You can’t ever completely dissolve your identity. Most of us have grown up within a social and cultural universe that we can’t really escape. Even if you manage to dissolve it for a short moment, it will always come back and leave a mark on your work.”
Image credit: Malaka MP
On 3 December 2017, over 100 people gathered at the Goethe-Institut in Colombo, Sri Lanka to bear witness to a distinctive, idiosyncratic performance: Sub_Sequence where 5 individuals performed a live, collaborative audio-visual set. …
Image courtesy: Consolidate
Independent record labels and DIY culture have made it possible for many artists across the globe to get their music to a wide section of listeners. While it may not necessarily be a profit making venture at first, there is something hugely rewarding and futuristic about the ability to nurture fresh talent without jeopordising creative freedom; a huge contrast to the former model where big record labels called the shots. There are a number of small and active record labels all over South Asia who are supporting artists and consistently releasing good music. We compiled a list of labels based in South Asia that reflect the beauty of a DIY approach.
Image credit: Daniel Arthur Panjwaneey
A two way exchange, the Border Movement Residency (BMR) program creates unique opportunities for South Asian producers to engage with the music community in Berlin (BMR Berlin); while also offering Berlin based artists a platform to interact with musicians in South Asia (BMR South Asia).
“Music appeals to a beautifully primal place within human beings and enables us to have synchronised collective experiences that transcend the mundane. To me the greatest message in music is that it is the antithesis of social issues. It should unite us. And, I think this has been a very important role of music for a long time,” says Colombo-based Givanke Goonetilleke whose endeavours with constructing metaphorical sonic terrains have surpassed all conventional norms with respect to experimental music.