Image credit: Evolve Stills and Motion – Jamblu, REProduce Chhattarpur, October 2017
Speaking casually to a number of people in the Indian music industry, that’s the unified response I get when I ask why electronic music cannot seem to leave the main tier 1 cities (Mumbai, New Delhi, Bangalore). Interviewing several others, I repeat the question: how can electronic music spread beyond the congested spaces of major metropolises. The answer again is unanimous: “venues”.
“It’s pretty self-explanatory. Azadi, freedom. Freedom for everyone. Freedom for us, freedom for the artists” says Mo regarding the name of one of India’s freshest independent labels, ‘Azadi Records’.
The fifth Berlin based Border Movement residency saw Mumbai based producer and artist Sanaya Ardeshir aka Sandunes get selected to spend 2 months in Berlin…
Image courtesy: Consolidate
Independent record labels and DIY culture have made it possible for many artists across the globe to get their music to a wide section of listeners. While it may not necessarily be a profit making venture at first, there is something hugely rewarding and futuristic about the ability to nurture fresh talent without jeopordising creative freedom; a huge contrast to the former model where big record labels called the shots. There are a number of small and active record labels all over South Asia who are supporting artists and consistently releasing good music. We compiled a list of labels based in South Asia that reflect the beauty of a DIY approach.
Image credit: Farah Gherda
45 days to go
Sanaya Ardeshir is freaking out. There’s been some mix up with her visa to the UK, just a day before she’s supposed to leave. She’s slated to open for the mighty Bonobo in Manchester on 4 July but, given this last-minute flub, she’ll have to come back to India, apply for a new visa, and then go back for the gig. After that, she heads over to Berlin for a couple of months. That last bit is for the Border Movement Residency (BMR), for which Sandunes (the name Ardeshir performs under) has been selected, along with FILM — the producer Sanil Sudan, from New Delhi — and Alien Panda Jury (or Daniel Arthur Panjwaneey, from Karachi).
Image credit: Neha Dixit
Donn Bhatt just put out his third album, ‘Connected’, on 28 September. Two weeks later, any nervousness on his part seems to have been allayed by an outpouring of love for it on social media. “I’m surprised at how many folks have been sharing it, talking about it and writing in to let me know what they think”, he says, in a tone completely beside the brooding drawl we hear on the album. In any case, there’s no room left for anxiety. …
That Sanaya Ardeshir has been hard at work over the last year, is known to anyone who may have followed her music even in the slightest. The direction her two-step, future garage-y music is taking, the different rooms she plays out to, and the quality of her collaborators are all indicative of Ardeshir slowly, but most definitely breaking out of a self-imposed shell.
One afternoon in late June, I made my way across to Mubarak Complex, LIG Colony, a residential complex situated in Kurla West, North Mumbai. Ramadan, the annual month-long observance followed by Muslims worldwide had just begun and preparations were in full swing for the evening feast. Children were playing on the street, waiting for their turn on a miniature Ferris wheel that was being operated by a young man. …
produced by Sourya Sen and Naman Saraiya
While the Sound Lab in Mumbai technically kicked off on Saturday February 7 and stayed quite low key through most of the weekend, it was the following week that really saw the project truly come into fruition. Until February 13, visitors of the Kala Ghoda Arts Festival, an annual multi-cultural offering in the heart of South Mumbai got to witness an experimental, unrehearsed workshop on electronic music production akin to the inner workings of a studio. …
In the 21st century, electronic music and the technology that comes with it has advanced in leaps and bounds. The advent of various commercially available digital audio workstations (DAWs), software synths, emulators and other virtual studio technologies (VSTs) have now transformed the way music is made. Bringing the capabilities of music production right down to the producer’s bedroom has made it affordable and accessible to the normal (curious) Joe. Of course, some purists would argue that digital music production sounds mechanical and computer controlled compared to using analogue machines and hardware. Analogue machines impart a feeling of warmth and originality to the sounds themselves . …