Ikagar Saini is a man with no plan. He hates planning. So much, in fact, that he is committed to improvisation almost as a way of life. It’s what informs his music, his art, just about everything he does. His idea of expression is a spontaneous burst of emotion through his work, diverging from an abstract point of origin to a drastically different conclusion.
If you ask Natasha Humera Ejaz — which I did — the idea of happiness is really stupid. “It’s a strange theory,” she says. “Everyone’s always fighting for it. What it is. Where it is. How to capture it. I don’t want to go through life thinking that happiness is something that’s beyond my reach.” It really isn’t, which is why it’s such a stupid theory. And Ejaz, a Pakistani musician, actor, dancer, and educator, is creating reminders for herself, through her art, through the music she writes as Stupid Happiness Theory — that happiness isn’t really as elusive. That it’s within grasp for anyone who tries to capture it.
“It’s pretty self-explanatory. Azadi, freedom. Freedom for everyone. Freedom for us, freedom for the artists” says Mo regarding the name of one of India’s freshest independent labels, ‘Azadi Records’.